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Thousands of revelers take to the streets of Cape Town on January 2 to celebrate "Tweede Nuwe Jaar" (Second New Year).
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The minstrels' parade kicked off in the morning, as performers marched through the city dressed in colorful uniforms and carrying umbrellas.
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A wide variety of instruments, including trumpets, saxophones and banjos, accompany the parading troupes across the city.
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"(It) may be compared to Mardi Gras in New Orleans and Rio de Janeiro, or the Notting Hill Carnival in London," says South African author MIchael Hutchinson.
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Each troupe prepares for the annual parade well in advance, rehearsing their routines months before the parade.
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Enthusiastic onlookers lined the streets of central Cape Town to cheer performers and take part in the festivities.
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Donning ornately painted faces, the minstrels sung and danced to the beat of traditional ghoema drums.
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The event is deeply rooted in the culture of the Cape Malay population and its origins can be traced back to South Africa's colonial period.
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"The story goes that Tweede Nuwe Jaar was the day on which the Malay slaves were given time off because their masters celebrated on New Year's Day," says Hutchinson.
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Members of the public watch performers take part in the carnival on January 2.
CNN  — 

Slavery in Africa has always been keenly intertwined with race: the subjugation of one’s fellow man for the color of their skin.

Now slavery’s bitter history is being remembered with a race of a different kind in Cape Town, South Africa.

The Slave Route Challenge follows the path once taken by enslaved individuals entering the onetime colony, charting a course between sites from a troubling chapter in the nation’s history.

07:53 - Source: CNN
Bo-Kaap: Cape Town's colorful neighborhood

The import of slaves from Africa and Asia to the Cape started in the 1600s and continued until slavery was abolished in Cape Town in 1834.

Two thousand runners took part in the first race in 2011, swelling to 8,000 this year. The route takes in landmarks including the whipping post and the Castle of Good Hope, before finishing at the Grand Parade, a site once used for slave auctions – a bittersweet end to an educational journey.

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A hidden history

“I basically started the Slavery Challenge primarily just to highlight a lot of the heritage tied within the city of Cape Town,” says Farouk Meyer, organizer and Cape Town native.

“It’s something that’s almost hidden away from all of us,” he says of the history of slavery in the city. On the route the signs of slavery are subtle; some sites show none at all.

Runners wear a bib as part of the remembrance, each printed with a slave name, a symbol to show each slave was an individual.

07:17 - Source: CNN
Meet the Cape Malays of Cape Town

The race, which varies in length between 6.2 and 13.5 miles, takes runners through Bo-Kaap, one of the oldest neighborhoods in Cape Town and an area central to the city’s immigrant history.

Known for its colorful homes, cobblestone streets and large Muslim population, the people of Bo-Kaap have been called Cape Malay for hundreds of years. A community born of oppression, Bo-Kaap can trace its roots to the 16th century, as immigrants and slaves from Asia and India, or political exiles from Indonesia, expelled by Dutch colonialists.

“These exiles were actually aristocrats,” says Thania Pietersen, whose forefathers established themselves in Bo-Kaap. “They were royalty and they were educated and they were also incredibly influential… because they were a threat they were brought here and put in exile far away from their homes and their families.”

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Throwing off the shackles

Five centuries later, Pietersen’s heritage lives on through music and dance. Minstrel shows – quite unlike those from America, which have their roots in racial stereotyping – bring Bo-Kaap’s community together in a vibrant street parade called “Tweede Nuwe Jaar,” or “Second New Year.”

It’s believed that Tweede Nuwe Jaar was once the day on which Malay slaves were given time off, because their masters celebrated on New Year’s Day.

Comparable to Mardi Gras in New Orleans or the Notting Hill Carnival in London, it’s an unashamedly flamboyant display of civic pride. Bedecked in bright outfits and playing all manner of instruments, the carnival thumbs its nose at the idea that colonial powers could suppress the cultures that found their way to Bo-Kaap.

“I think pride is very important,” says Pietersen, “because when you take people’s pride away from them they lose something… [it’s] very important to the survival of people’s spirit.”

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