We've gathered a selection of new products and thought-provoking ideas -- some of which have just debuted at Milan's Design Week -- that might help to set you and your home on the course for a greener existence, and perhaps a cleaner conscience. Danish design brand Mater has made sustainability its calling card since its founding in 2006, with nearly every product on their roster boasting an ethical eco-edge. Earlier this year, the Copenhagen-based manufacturer launched the Ocean Collection: an outdoor/indoor chair and table series originally designed by mid-century power-couple Jørgen and Nanna Ditzel, and now reimagined in ocean waste plastic. One single chair uses 960 grams of ocean plastic waste (mostly discarded fishing nets), and the entire collection is designed for easy disassembly, so that individual components can eventually be recycled after a long life of use.
Founded by young Italian and French designers, Stefano Panterotto and Alexis Tourron, the Lausanne-based practice Panter&Tourron is showing a furniture research project during Salone called TENSE. The five-piece collection of "neo-nomadic essentials" includes a low table, a room divider, a wall lamp, a ceiling lamp, and a lounge chair that are easily moveable, can be assembled without tools, and connect purely by force of tension. An exploration of contemporary mobility and constantly shifting identities in a globalized world, the pieces are meant to be flat packed and easy to source and produce, using manufacturing that avoids heavy machinery or molding, encouraging flexible fabrication techniques that allow for local sourcing and small-scale, hands-on craft. Encouraging consistent re-use rather than constant consumption, Panter&Tourron not only present a product, but capture a truly sustainable mindset driven by clever convenience.
Presenting as part of the Design Switzerland exhibition at Palazzo Litta in Milan (sponsored by the Swiss Arts Council's Pro Helvetia initiative), Fabio Hendry & Seongil Choi of London-based Studio Ilio will introduce OKRO: the collection, which includes a stool, a bench, and a lamp, explores "alternative processes of making and displays new potentials in industrial production by transforming line structures into solid bodies." Studio Ilio's innovative new method—known as 'Hot Wire Extensions'—very loosely involves placing a wire shape in a closed box, adding a mixture of pure silica sand and leftover nylon powder (a waste material generated by selective laser sintering, a common type of 3D printing), and using electric currents to form new objects. Along the way, SLS powder is repurposed (it hasn't previously been recyclable) and can be used to create a variety of objects for the home. Hendry and Choi are also eager to consider how this technique and material can potentially be applied to larger-scale infrastructure projects, from pillars and balconies to bridges and buildings.
Crafted from a high-performance bio-polymide (a man-made but nature-infused material) that consists of more than 60% biologically sourced and recyclable material from the castor plant, this LED lamp comes in table and floor versions. Designed by Sam Hecht and Kim Colin of the London-based design studio Industrial Facility for the Swedish manufacturer Wästberg, the W182 Pastille is part of a new generation of lighting that strives to consider the environment in both form and function.
An investigation into the recycling of electronic waste, Ore Streams is a multi-dimensional exhibition that through visual essays, videos, and a live program considers design strategies to repair and recycle "e-waste" generated by our hyper-wired lifestyle. Conceived by Amsterdam-based designers Andrea Trimarchi and Simone Farresin of Studio Formafantasma, Ore Streams marks an ambitious turn by young designers willing to go beyond obviously commercial products in order to underscore and understand the detrimental side-effects of contemporary consumerist life.
A new player on the natural home goods circuit, the New York-based e-commerce start-up, Buffy, is best known for their Cloud duvet, which is made from lyocell, a natural material made from the wood pulp of the eucalyptus tree. The comforter's inner fill consists of an eco-fiber spun from recycled PET bottles, so with nary a feather in sight, this duvet does double-duty for those concerned with the environment and animal welfare alike.
Marie Louise Munkegaard
A trailblazer when it comes to sustainable causes, the Danish-Icelandic artist and designer Olafur Eliasson has spent much of his career drawing attention to the impact of climate change. Now, continuing his long-time fascination with light, which has been a key element of his practice for decades, Eliasson has partnered with the Danish lighting manufacturer Louis Poulsen on a pendant composed of two contrasting shapes on the exterior, with a soft layered interior. The OE Quasi Light is made from entirely recyclable and reusable materials, including 90% recycled aluminum -- ensuring longevity through parts that are easily replaced or entirely recycled after disassembly.
The Australian designer Brodie Neill introduced a new take on the age-old hour glass, as he replaced grains of sand with particles of ocean waste plastic, as part of a showcase at Milan's Museo Nazionale Scienza e Tecnologia "Leonardo da Vinci," happening during Salone 2019. As part of Plastic-Master's Pieces, an exhibition that brings together new works produced in recycled plastic by world-renowned designers, the timepiece serves as a quiet but nonetheless alarming reminder that climate change is nothing short of a ticking-time bomb. The exhibition is curated by the grand-dame of the Milanese design scene, Rosanna Orlandi and represents just one part of her Guiltless Plastic initiative, which encourages designers to rethink their use of the material through re-use, recycling and reinvention.
London-based design duo, Barber & Osgerby have partnered with the American furniture maker Emeco on a new series of chairs and stools -- dubbed the On and On collection -- made from 70% recyclable PET, strengthened with 20% glass fiber and colored using 10% non-toxic pigment, a combination which allows the product to be entirely recycled at the end of its useful life. Launching in Milan, the designers also used as little material as possible, to ensure a stackable and lightweight product that would cause lower carbon emissions during the shipping process. "Advances in material research are making it easier to achieve the desired results using more sustainable means, however even 'ecological' plastics still have limitations and so consideration beyond just materiality continues to be essential," said Barber & Osgerby via email. "These are the challenges that all designers are facing and rather than letting this restrict the output, we find that often our best work results from these more direct constraints."
Edoardo Delille
No longer just a playground for furniture stalwarts, technology companies (not to mention fashion brands) have flocked to Milan in recent years and 2019 is no exception, with Google setting up shop in the city for the second year running. The tech giant's interactive installation explores the field of neuroaesthetics and how different aesthetic experiences can impact both our physical biology and our sense of well-being. Visitors wear a wristband that measures physiological responses to various interior environments in a multi-room installation where sustainability and recycling are at the heart of the architecture and many of the products on display. All raw construction materials used in the project are recyclable and slated for reuse after the week-long run, and the emphasis in the exhibit is on natural and real materials (from clay and natural wool made from a breed of sheep saved from extinction and colored with plant-based dyes, to walls made from recycled paper), many of which will also be reused or recycled after the fact. Measuring both physical and emotional responses to the setting, the installation may very well underscore that a more sustainably-minded home environment not only eases our mind, but perhaps benefits our bodies too.
CNN  — 

According to NASA, 2018 was the fourth hottest year on record, continuing a nearly two decade-long trend of scorching global temperatures.

Experts warn that we have just over ten years, at best, to attempt and avoid, well, nothing short of climate-induced disaster – or, at the very least, temper its onset. The Paris Agreement – the closest thing to a cohesive and ambitious global plan of action against climate change agreed by the United Nations – is due to formally begin in 2020, kick-starting various efforts to mitigate global warming at the legislative level, although the United States, the world’s second carbon emitter, have backed out of the agreement in 2018.

At the individual level too, global warning has become a pressing everyday worry – from older habits like recycling and LED light bulbs, to newer everyday concerns like avoiding plastic straws and single-use water bottles, private citizens have increasingly become advocates for a greener lifestyle.

The dramatic headlines are hardly spiriting, but perhaps have served as a welcome reminder that we can all do our part and make more intelligent choices: from the cleaning products we use to the clothes we wear and the furniture that we invest in. In fact, across the creative industries, sustainability has in recent years become more than just a buzz-word: increasingly, it is a rally cry actually being put into practice – not least in the design sector, which will swing into high gear this week, as the 2019 edition of the Salone del Mobile furniture fair kicks-off in Milan.

Edoardo Delille
A Space for Being by Google explores how different aesthetic experiences can impact our sense of well-being.

Salone is arguably the most significant annual event for the international interior design industry. On the one hand, the week-long event reads like a display of excess – endless expensive sofas and plenty of prosecco – but amidst the frenzy there are also earnest appeals from brands and designers looking to instigate real change, with objects and ideas that address environmental gloom and doom, even amidst the glamor.

“Most brands understand today that sustainability isn’t a quality they choose to align themselves with, but a necessity,” said design curator and critic, Hugo McDonald, “But there is also a lot of lip service and green washing in the design industry. Though it’s not for lack of trying.”

Ocean Collection is an outdoor/indoor chair and table series made with ocean plastic waste.

McDonald notes that systems of industrial production are inherently unsustainable and that it is difficult for producers to rewrite the rules of manufacturing at scale overnight. Meanwhile, developments in material innovation take time to reach mass market, so consumers are often drip-fed prototypes or small-run designs with sustainable intent. “In truth, these products aren’t going to save the planet, but they aren’t negligible either: they help get the message into people’s minds that they can make choices in their lives, which can add up to make a big difference,” he said.

“The goalposts have shifted, it’s no longer enough to make something elegant, if you haven’t considered the consequences,” said Rory Hyde, curator of Contemporary Architecture and Urbanism at the Victoria and Albert Museum, and an author on the subjects of design and architecture.

OKRO Collection by Studio Ilio explores an innovative new method of making new object by using waste materials.

“One of the catch-cries of critics in recent years has been to ask ‘do we need another chair?!’ And you could say that our bums haven’t changed, so why do we need to keep reinventing this thing? But the idea of a chair is a question that will always need to be answered, over and over. And hopefully with each new answer we get closer to something that will give back to the planet, rather than destroying it.”

Many designers are thinking about the impact of their work beyond aesthetic and commercial concerns, but McDonald says the next real driver of change will come from elsewhere. “The next significant shift won’t be led by designers” says McDonald, “But (as with plastic bags and veganism) by consumers, actively rejecting the need or desire for new things.”

From haute-design lighting to an alternative type of duvet, there are plenty of ways to incorporate more sustainable objects into your everyday – though the best fix of all, as ever, might be to work with what you’ve already got and not replace anything at all.

Browse the gallery at the top to see our design-savvy ideas for a greener life.