Pavel Bendov
Via 57 West was the first building by Danish architecture firm Bjarke Ingels Group in New York.
Pavel Bendov
The new home of the Whitney Museum of American Art offers the largest column-free museum gallery space in New York.
Pavel Bendov
Barclays Center offers 3,000 square feet of digital signage, and space for up to 19,000 people.
Pavel Bendov
7 World Trade Center was the first building raised on the space of the 9/11 tragedy.
Pavel Bendov
The Oculus replaces the original transportation hub of the World Trade Center, destroyed in the September 11 attacks.
Pavel Bendov
The IAC was the first New York project by world-renowned architect Frank Gehry.
Pavel Bendov
Architect Jean Nouvel was asked to build a transparent box to protect a restored 1922 carousel. During the day, the box is opened to reveal the magnificent rotating ride.
Pavel Bendov
Renzo Piano's New York Times headquarters emphasizes the transparency between the newspaper and its audience.
Pavel Bendov
With 10,500 individually designed panels, the facade of the New York building is absolutely striking.
Pavel Bendov
Designed to recall the game Jenga, the 56 Leonard building also features a project by artist Anish Kapoor.
CNN  — 

New York’s skyline is probably one of the best known in the world. Visitors and natives alike would undoubtedly be able to trace the silhouettes of its buildings with their eyes closed.

Less familiar, but no less striking, are the new constructions shaping up in the city. From Bjarke Ingels Group’s Via 57 West to SHoP Architects’ Barclays Center, the 21st century has brought some exciting new developments.

The best of these are compiled in a recently published book by Prestel, “New Architecture New York,” a collection of fresh architectural gems show the way forward for the city’s urban planning.

In this printed homage to the new buildings in the city, architecture fans will find a list of soon-to-be architectural symbols of New York accompanied with beautiful photography of more than 50 projects that have been popping up in the streets.

A grand rebuilding

Pavel Bendov
Barclays Center (2012) by SHoP Architects

More than 15 years ago, New York Times architecture critic Herbert Muschamp wrote: “After the catastrophe of 9/11, who wanted to think about the aesthetics of architecture? Many people, it turned out. Buildings were the targets of the terrorist attacks. Fantasies of new buildings became a form of recovery: signs of the city’s resilience in the face of unprecedented enemy assault.”

Today, New York is experimenting with scale, form and texture, and is no longer just a city of tall, shiny buildings that reflect a desire to push engineering abilities, but a playground for architects who wish to innovate.

Pavel Bendov
New York by Gehry (2011) by Gehry Partners

The High Line is one of the most successful and well-known spaces of this new urban makeup. Teeming with visitors, the project takes advantage of an abandoned railroad to build a public space at human scale.

Another addition to the city’s revamp is Renzo Piano’s sculptural new home for the Whitney Museum of American Art, a display of severe and exciting lines in his signature style.

Pavel Bendov
The Whitney Museum of American Art (2015) by Renzo Piano Building Workshop

“The best New York architecture of the last 15 years gives people places to get together and go together, not more reflective walls in which to check yourself out,” architecture critic Alexandra Lange wrote in the book’s introduction. “The city’s rebirth, post 9/11, is best judged by accumulations of people on the streets, in parks, and even in some of those behemoth museums.”

New Architecture New York ”, published by Prestel and is available now.