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Up-and-coming designer Liam Hodges drew inspiration from pirate radio stations of the 1960s. His models were literally black and blue and, according to some critics, paid homage to geeky ravers and footballers.
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It's unclear what this playful creation honors, though surely the model will pick up the signal for Fashion TV with his runway prop.
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Richard James may be on sabbatical from his eponymous menswear line, but his bold use of color and pattern still comes through. Entitled "My Green Trauma", the collection featured immaculately tailored suits in emerald, jade, and lime.
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Fashion duo Agi & Sam say they never want to grow up, so they built their collection around childhood traumas — like nightmares and imagined monsters. It's a study in contrasts: high-fashion coats paired with mundane socks and sneakers, a model's svelte body paired with the face of an animal.
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For Alexander McQueen, designer Sarah Burton drew inspiration from the Victorian sailor, dreaming up well-fitted suits and captain's coats for men-at-sea. Copious amounts of hair product made the models look like they'd been drenched earlier in the day.
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Fashion on the seven seas wouldn't be complete without an ugly sea monster. Cue this suit with its brightly-colored graphics and the words "legendary creature," which may refer to the brightly colored beast or the model wearing it.
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In her show notes, Danish-born Astrid Andersen wrote that she used hip-hop stars A$AP Ferg and Missy Elliott as her muses for the collection, which pays homage to those "who dare to dress bravely and have a point of view." She merged sportswear with elements of traditional Chinese dress, such as the changshan, creating looks that are bold and delicate at the same time.
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Casely-Hayford say this collection was inspired by their Colombian neighbors and a group of bikers who live near their studio. The model here appears to have woken up in tribal pajamas and thrown on dad's sweater for a bit of extra warmth.
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For Coach's first-ever runway show, designer Stuart Vevers dismantled the idea that the American label only does leather goods. He has described the collection as "Kennedy boys meet Beach Boys meet Beastie Boys," and that comes through in the neon coloring and kitsch fanny packs.
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In case you were wondering, men have nipples too. As ever, Craig Green played on traditional martial arts shapes, creating a series of androgynous silhouettes. The majority included ropes and strings that can be cinched and tied.
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J. W. Anderson told reporters that he sought to create a "laid-back, Zen-like" atmosphere with this collection. Will denim parachute pants and impractical shoes help this model reach nirvana?
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Known for quirky prints and motifs, Kit Neale threw every color imaginable onto the runway across bomber jackets, boiler suits, shorts, parachute pants and this floral print smock dress. For men.
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Maharishi is reporting for duty. Wearing head-to-toe camouflage, this man is ready for a costume party, a pool party, and any conflict zone in between.
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The man smart enough to slip into a Richard James suit knows that green won't take you through the entire season. Other looks included blue shorts paired with a blue blazer and a floral print jacket blooming in blue and red.
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Todd Lynn has designed for U2, The Rolling Stones and Mick Jagger. That rock aesthetic comes through in this study in white. The leather jacket, the translucent shorts, the black leather boots — it all teems with rebellion.
London CNN  — 

It’s the final day of men’s fashion week in London, and a crowd has gathered inside the Old Sorting Office, a former industrial site, to watch models work the runway.

Dylan Jones, the editor of style bible GQ, sits on the front row, just a few seats down from David Gandy, one of the world’s most sought-after male models, perhaps most recognized when wearing only a pair of briefs.

Yet among the British fashion-savvy, it’s a Chinese celebrity who turns the most heads.

Wearing golden sneakers and a white suit, Hu Bing carries himself with the confidence and grace you’d expect from China’s top male model, who just happens to be a former Olympic rower, a part-time singer and one of China’s best-known actors.

courtesy hu bing
Hu Bing

Hu, now 45, has worked for Cartier, Dunhill, Gucci, and Ferragamo, among others, and now he’s working for the British Fashion Council (BFC) — the body that promotes British fashion internationally.

As its first international style ambassador, Hu will champion British fashion in his homeland and beyond.

“The Chinese like British brands, but they don’t say ‘British fashion,’” he says. “They just say ‘European fashion.’ Sometimes they mix up London, Paris, and Milan, when the fashion is all totally different.”

Indeed, Hu has a challenge on his hands.

In the most recent World Luxury Index, French and Italian fashion brands, led by Chanel, Louis Vuitton, Dior and Gucci, dominated the list of the most sought-after luxury fashion labels in China. Burberry was the only British brand in the Top 10.

“I need to do a lot of work,” Hu says. “I have a responsibility to present London fashion as London fashion.”

He knows that London has a reputation for the tailoring of Saville Row and the timeless Burberry trench coat, but Hu believes the USP of British fashion comes from its whimsy.

“London is more easygoing and more fun,” he says. “Designers are more afraid in Asia — and in New York and Paris. But in London people really just enjoy themselves. They feel confidant. That is the difference.”

“I’ve been to many different cities for Fashion Week — Milan, Paris, New York City. But London is the most amazing city for me right now. In five years I want London Fashion Week to be number one.”

Menswear in China

Like a model balancing in her stilettos, luxury brands in China occasionally wobble.

In 2014 the once bullish Chinese luxury market posted its first year of negative growth, shrinking by 1% according to Bain & Co. And in the year leading to April 2015, Prada closed 16 stores in China, while Armani shut five.

China’s economy may be slowing down, but the British Fashion Council have still made a clever play by drafting Hu as its suited and booted fashion envoy.

Despite the broader picture, sales of menswear in China actually climbed 7% last year, according to Euromonitor, and menswear now accounts for a larger chunk of apparel sales than womenswear.

Euromonitor forecasts that China — currently the fifth largest market for luxury menswear globally — will climb to second, behind the United States, by 2017.

The number of Chinese press and buyers attending men’s fashion week (officially known as London Collections: Men) has nearly doubled since the first showcase in 2012.

The market slant towards menswear is driven partly by China’s “One-Child Policy” and cultural values that stress the primacy of men over women. Chinese men are increasingly concerned with image and, owing to rising incomes, more likely to trade up the fashion ladder.

Hu also sees it as a matter of playing catch-up with China’s women.

“In China, the lady’s closet is almost full,” he says. “But men, before they had no clothes, so now they need to buy a lot. They want to dress up and shine.”

Eastern promise

And when they do, the British Fashion Council is betting that China’s men will look to Hu for inspiration. After all: he has 10 million followers on China’s microblogging site Weibo.

“We are thrilled that Hu Bing has become an International Ambassador for London Collections Men, as his enormous influence, knowledge of the Chinese market and enthusiasm for fashion makes him a perfect choice,” Dylan Jones, the chair of LCM, said when announcing the selection earlier this spring. “Having an International Ambassador in China is key to the development of London Collections Men.”

As part of that development, Hu will educate British fashion houses about the immense and varied Chinese market and counter what he sees as bizarre stereotypes.

“I’m here in Europe and I’m surprised that everybody is saying that Chinese people are too serious and not funny,” he says. “It’s not true. Chinese are interested in new things, and are traveling everywhere in the world.”

Their bold, international tastes come through in the Chinese designers showing in London. You can’t call them pedestrian. Take designer Sean Suen, who, on June 15, sent male models down the runway wearing high-fashion aprons and metallic, open-toed sandals.

Hu says that the smartest brands won’t try their luck when opening new stores, but will invest the time to conduct longer searches. “You need to know the real China,” he says, pointing out that what’s “real” changes with the wind. “Every three months you need to update your marketing information. Things happen too fast in China.”

He also points out that just as fashion varies from London to Paris to Milan, it also varies within China’s biggest fashion hubs Shanghai and Beijing.

Hu says Shanghai is comparable Tokyo, where people are more likely to keep it simple and conform, while Beijing is akin to anything-goes New York.

“In Shanghai, the look is really Japanese. They like to do one thing. It’s never four, five, or six. But in Beijing it’s like one to ten — it’s total freedom.”