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Although we’re surrounded by millions of them every day, most of us don’t think about bricks too often. For thousands of years, the humble clay-fired brick hasn’t changed. The building blocks of modern suburban homes would be familiar to the city planners of ancient Babylon, the bricklayers of the Great Wall of China, or the builders of Moscow’s Saint Basil’s Cathedral.

But the brick as we know it causes significant environmental problems, by using up raw, finite materials and creating carbon emissions. That’s why Gabriela Medero, a professor of Geotechnical and Geoenvironmental Engineering at Scotland’s Heriot-Watt University, decided to reinvent it.

Originally from Brazil, Medero says she was drawn to civil engineering because it gave her passion for maths and physics a practical outlet. As she became aware of the construction industry’s sustainability issues, she started looking for solutions. With her university’s support, Medero joined forces with fellow engineer Sam Chapman and set up Kenoteq in 2009.

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Bricks have been a staple building material for at least 9,000 years, and the invention of fired bricks around 3,500 BCE opened up new and exciting possibilities for design and architecture.
The ancient temples of Bagan, Myanmar, showcase the amazing possibilities of brickwork. Among the 3,595 temples, stupas, and spiritual structures built between the 11th and 13th century, Dhammayangyi Temple is renowned for its intricate design. The mud-mortar brickwork is so seamless, it's said you can't fit a pin between the bricks.
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Standing for over 4,000 years, the Ziggurat of Ur was built around 2100 BCE and uses both baked and unbaked mud bricks. It's one of the best-preserved buildings from the time. The pyramid-like structure has a flat top for a temple or fort, which unfortunately hasn't survived.
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Commissioned by King Nebuchadnezzar II around 575 BCE, the Ishtar Gate of Babylon showcases bulls, lions and dragons parading across 38-feet (11.5 meters) of blue-glazed bricks. The gate is now in Berlin's Pergamon Museum, while Iraq is home to a replica.
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At over 13,000 miles (21,000 kilometers) long, the Great Wall of China is the world's longest man-made structure. Construction began around the 3rd century BCE, and the wall was continuously added to for nearly 2,000 years. During this time, construction techniques ranged from rammed earth to fired clay bricks held together with a lime and rice mortar.
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Italy has no shortage of incredible architecture, but the Duomo Florence stands out with its enormous brick and mortar dome. Construction started on the cathedral in 1296 but work on the dome didn't begin until 1418. The structure is actually two domes, one inside of the other. The outer shell is made of 4 million specially shaped bricks.
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Red sandstone rubble from over 20 Hindu temples was used in the construction of the Qutub Minar in Delhi, India. Measuring 239.5 feet (73 meters) in height, it's one of the tallest minarets in Asia.
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In the middle of the UNESCO heritage site of Vilnius's old town in Lithuania, St Anne's Church started life as a wooden structure. It burned down in 1419 and was rebuilt using red clay bricks in the extravagant gothic architectural style of the time.
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Saint Basil's Cathedral's whimsical, fairy tale-like exterior is probably one of the most famous examples of Byzantine architecture and Orthodox Russian art. While the cathedral, in Moscow's Red Square, was always eye-catching with its red bricks, the iconic bulbous domes didn't gain their striking multi-colored appearance until the 17th century.
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Situated within Kew Botanical Gardens in London, Kew Palace is the smallest of Britain's royal residences. It showcases Dutch architectural design, such as the curving attic gables and "Flemish bond" brickwork (where alternating long and short sides of the brick are laid). Built by Flemish merchant Samuel Fortrey, it was known as 'The Dutch House' before it was leased by King George II.
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The Tate Modern art gallery in London started life as the Bankside Power Station. It was built in 1947 using more than four million bricks. In 1995, renovation work started to gut the old power station, leaving nothing but the brick exterior and steel frame. The brick chimney towers 325 feet (99 meters) above the city, just lower than the dome of St Paul's Cathedral across the River Thames.
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The Institute of Art and Archeology, in Paris, was begun in 1925. Architect Paul Bigot took inspiration from classic Italian renaissance and gothic design. A brick terracotta frieze depicts scenes from classical art, in keeping with the building's purpose.
Jochen Eckel/picture-alliance/dpa/AP
Lauchhammer, Germany, was an industrial town centered around a coke plant (a type of fuel made from burning coal and oil without air). The fortress-like cylindrical bio-towers, built in 1950s, cleaned the wastewater produced by the coke plant. The bio-towers ceased operation in 2002 and were turned into a visitor center, to commemorate the region's industrial past.
Courtesy LEVS architecten, Amsterdam
In a small village in the southern Sahara in Mali, Tanouan Ibi Primary School features some very unusual brickwork. Made from earth excavated on site, the bricks are un-fired and hydraulically compressed. According to Dutch architects Levs Architecten, the bricks are a blend of clay, sand, and laterite mixed with cement to make them water-resistant.
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Designed by award-winning architect Fernando Menis, the CKK Jordanki Congress and Cultural Center in Torun, Poland, was built in 2015 to evoke the traditional brickwork of the nearby Old Town of Toruń. It is renowned for its incredible acoustics and unusual modular structure.

The company’s signature product is the K-Briq. Made from more than 90% construction waste, Medero says the K-Briq – which does not need to be fired in a kiln – produces less than a tenth of the carbon emissions of conventional bricks. With the company testing new machinery to start scaling up production, Medero hopes her bricks will help to build a more sustainable world.

The problem with bricks

Although they’re made from natural materials, there are problems with bricks at every step of their production.

Bricks are made from clay – a type of soil found all over the world. Clay mining strips the land’s fertile topsoil, inhibiting plant growth.

In conventional brick production, the clay is shaped and baked in kilns at temperatures up to 1,250°C (2,280°F). The majority of brick kilns are heated by fossil fuels, which contribute to climate change.

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A clay quarry in Andalusia, Spain

Once made, bricks must be transported to construction sites, generating more carbon emissions.

Globally, 1,500 billion bricks are produced, every year. Laid end-to-end, they would stretch to the moon and back 390 times.

The environmental footprint of different bricks reflects multiple factors including the type of kiln, fuel, and transportation. But with so many produced, their impact adds up, says Medero.

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Enter the K-Briq. To make it, construction and demolition waste including bricks, gravel, sand and plasterboard is crushed and mixed with water and a binder. The bricks are then pressed in customized molds. Tinted with recycled pigments, they can be made in any color.

Earlier this year, Kenoteq won its first commission – to supply bricks for the Serpentine Pavilion 2020 in London’s Hyde Park (although the project has been postponed until summer 2021 due to the current pandemic). Designed by architectural studio Counterspace, the building will incorporate K-Briqs in grey, black and 12 shades of pink. The Pavilion’s lead architect, Sumayya Vally, says that as a recycled product, the K-Briq appealed to her. It “embodies” the past through its use of old materials, she says, adding that because the bricks can be customized, they allow “the designer to be a part of the construction process of the material,” creating unique opportunities in architecture.

Counterspace
The Serpentine Pavilion 2020/2021 was designed by South Africa-based architect studio, Counterspace.

Why can’t old bricks be re-used?

In the UK, around 2.5 billion new bricks are used in construction every year – and about the same number of old bricks are demolished. A seemingly simple solution to the brick production problem would be to re-use old bricks.

But it’s not that straightforward. According to Bob Geldermans, a climate design and sustainability researcher at Delft University of Technology in the Netherlands, reclaiming bricks is an expensive and “labor-intensive process.”

According to the UK’s Brick Development Association, old brick structures need to be carefully dismantled and the bricks cleaned of mortar with hammers and chisels. Reclaimed bricks are used to help renovate historic buildings or for other specialized projects but for mass construction, the process is too costly.

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A brick kiln in West Sussex, in the south of England.

An additional barrier is that there’s no standardized way to check the strength, safety or durability of reclaimed bricks.

Medero says that K-Briqs could solve both these problems.

According to Medero, the K-Briq will be comparably priced to conventional bricks. Additionally, as a new product, the K-Briq has been subjected to rigorous assessment at the materials testing lab at Heriot-Watt University, and is in the process of being certified by regulators. Medero claims that K-Briqs are stronger and more durable than fired clay bricks, and provide better insulation, too.

Kenoteq
Gabriela Medero and Sam Chapman, co-founders of Kenoteq, say they have created a sustainable alternative to traditional fired clay bricks.

Scaling up

Kenoteq currently operates one workshop in Edinburgh, which can produce three million K-Briqs a year. Medero is looking at scaling up – but it’s hard to create a revolution in construction.

Geldermans says that the industry is notoriously slow to change – adding that legislation often lags far behind innovation, so construction companies are not incentivized to adopt sustainable practices and materials.

Stephen Boyle is the program manager for construction at non-profit Zero Waste Scotland which, along with organizations including Scottish Enterprise and the Royal Academy of Engineering, has provided Kenoteq with funding. He attributes the industry’s conservatism to a “chicken and egg” situation. Innovative startups need large contracts to allow them to scale, he says, but struggle to become competitive without a large operation already in place.

Zero Waste Scotland
Gabriela Medero, co-founder of Kenoteq, came up with the idea for the K-Briq over a decade ago.

But despite the challenges, Kenoteq is far from being the only company trying to make construction more sustainable. Other innovators include Qube, an India-based startup creating bricks out of plastic waste, and the ClickBrick which eliminates the use of cement through modular stacking (think real-life Lego).

There are signs of change. In Scotland, the government is reviewing a circular economy bill which encourages businesses to think creatively and economically about how they reuse and recycle materials. Boyle says that there are “contractors who would use [K-Briqs] tomorrow,” if they were being produced on a large scale.

Over the next 18 months, Medero plans to get K-Briq machinery on-site at recycling plants. This will increase production while reducing transport-related emissions, she says, because trucks can collect K-Briqs when they drop off construction waste. “We need to have ways of building sustainably, with affordable, good quality materials that will last.”

An earlier version of this story incorrectly stated that the K-Briq has British Board of Agreement certification. K-Briq is currently being certified by regulators.