© 1977 Condé Nast
"Coming into Fashion: A Century of Photography at Condé Nast," a new exhibition in Beijing, brings together images from fashion titles including Vogue, Vanity Fair and Glamour.
© Sebastian Kim
Teen Vogue launched in the US in 2004 as a sister publication to its fashion titan parent title.
© Peter Lindbergh
Peter Lindbergh is often credited with inventing the supermodel.
© 1945 Condé Nast
A shot taken by Erwin Blumenfeld for the March 1945 issue of American Vogue. The sparseness of the image was influenced by the need for this shot to have text running down its sides when featured in the magazine.
© 1962 Condé Nast
David Bailey took this photo in 1962, when Vogue was looking to edgier young photographers for more natural fashion photography.
© 1945 Condé Nast
However, Constantin Joffé toyed with the idea of street photography as early as the 1940s.
© 1923 Condé Nast
In the 1920s, Vogue used New York stage performers for their models, arguably kicking off the fashion industry's obsession with celebrities.
© 1943 Condé Nast
A photo by John Rawlings for the March 1943 edition of American Vogue. Rawlings shot for Conde Nast from the 1930s through to the 1960s, garnering an archive of over 30,000 photos.
© 1975 Condé Nast
This shot by Deborah Turbeville was part of a controversial series. Many subscribers canceled their magazine orders, outraged by the alleged lewdness of her photos.
© 1949 Condé Nast
A photo by Clifford Coffin for American Vogue, June 1949. Coffin, who was British, had a reputation as an untamed bohemian type, and was known to reduce models to tears during photoshoots.
© Norman Parkinson Limited. Courtesy Norman Parkinson Archive
This shot by Norman Parkinson is one of few non-Vogue images being exhibited.
© Sølve Sundsbø/Art + Commerce
This photo by Sølve Sundsbø appeared in the Spring/Summer 2011 edition of Love magazine. Although the Conde Nast exhibition draws heavily from Vogue images it also features photos from other magazines in the publisher's stable including GQ, Glamour and Love.
© Miles Aldridge
Vogue Italia has a reputation for running less conventional shoots than other editions of the magazine.
© Estate of Guy Bourdin. Reproduced by permission of Art + Commerce
This famous image by Guy Bourdin appeared in the February 1955 edition of French Vogue.
© Courtesy Inez & Vinoodh and Gagosian Gallery
A more out-there photo composition by Inez & Vinoodh.
Beijing, China CNN  — 

An exhibition showcasing 100 years of fashion photography from the Condé Nast magazine stable – ranging from 1920s shots of Broadway actresses to some of the most recognizable photos of the supermodel era – has opened in Beijing.

01:08 - Source: CNN
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“Coming into Fashion: A Century of Photography at Condé Nast,” which brings together images from fashion titles including Vogue, Vanity Fair and Glamour, provides a visual history of how the fashion and beauty industries have evolved.

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The exhibition features images from more than 80 photographers, from contemporary names like Mario Testino and Inez & Vinoodh to early luminaries like Edward Steichen and Man Ray.

Famous beginnings

The exhibition begins with what are considered to be some of the world’s first fashion photographs, taken by Steichen in 1911, and goes on to explore a series of fashion shoots from 1920s New York.

Mario Testino
Kate Moss at the Master Shipwright's House, Deptford, by Mario Testino, 2008. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.
Mario Testino
Lara Stone in Carlton House Terrace by Mario Testino, 2009. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.
Herb Ritts Foundation/Trunk Archive
Claudia Schiffer in Paris by Herb Ritts, 1989. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.
The Condé Nast Publications, Ltd
Limelight Nights by Helmut Newton, 1973. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.
Norman Parkinson Ltd/Courtesy Norman Parkinson Archive
Anne Gunning in Jaipur by Norman Parkinson, 1956. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.
The Condé Nast Publications, Ltd
The Second Age of Beauty is Glamour by Cecil Beaton, 1946. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.
Paul Robins The Condé Nast Publications, Ltd
Fashion is Indestructible by Cecil Beaton, 1941. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.
The Estate of Edward Steichen/Joanna T. Steichan / ARS, NY AND DACS, London
Charlie Chaplin in New York by Edward Steichen, 1926. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February-22 May 2016, sponsored by Leon Max.

“Fashion photography didn’t really exist at that time, so they photographed dancers and actresses from Broadway rather than professional models,” says curator Nathalie Hershdorfer. “They knew how to pose and how to be on a stage.”

According to Hershdorfer, it could be argued that this sparked fashion’s current symbiotic relationship with celebrity culture.

“(Condé Nast founder Condé Montrose Nast) realized that if they hired actresses that were well-known, it was even better (for sales),” she says. “People would recognize them. That’s what’s still going on today.”

Many of the photos are highly produced studio efforts. But a 1962 black-and-white photo by David Bailey of a model in the street, looking away from the camera, captures the moment photographers started to experiment with a more natural approach.

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“They thought, ‘We don’t need fashion editors and makeup artists. We just go out in the street and do our shooting,’” explained Hershdorfer.

Fashion photography in Asia

The inclusion of a music video featuring Chinese models is a notable nod to the show’s local audience, but there are very few photos of Chinese models on show.

However, China’s emergence as one of the world’s most important fashion markets has guaranteed its importance in the future.

Indeed, as Condé Nast’s Chinese mastheads continue to grow, the archive this exhibition was drawn from – which boasts about eight million photographs – is gradually filling with more images from the region.

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“We are absolutely going to see more Asian and Chinese models in the future,” says James Woolhouse, president of Condé Nast Asia Pacific.

“I’m enormously confident that many of the fashion and beauty images being produced today by the team in China will stand the test of time.”