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"Overview," an exhibition of eyeglasses currently held at Design Museum Holon, explores the evolution and history of eyeglasses.
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The museum's upper gallery features 400 rare pieces from the collection of optometrist Claude Samuel, which date from the 17th century to present day.
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The collection includes a small case of lenses Samuel inherited from his grandmother, and a rare collection of glasses that his father designed for Pierre Cardin.
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According to exhibition curator Maya Dvash, "the initial purpose of eyeglasses was to correct a flaw, and eyeglasses do not conceal that flaw, but actually emphasize it by means of design."
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British optician Benjamin Martin created the first vision-correcting eyeglasses in 1756. The above pair is made using metal and bull horn.
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Phoropter test glasses, made of metal and ivory, designed in England in the mid-1800s.
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These vision examination lenses were made in the United States in the late 1800s.
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Usually worn by Eskimos, snow glasses are traditionally made of wood or bone. A fine cut on top of each eye protects one from snow blindness.
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This monocular opera spyglass fan is made out of buffalo horn.
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The fan, made in France, dates back to the early 1900s.
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The exhibition also includes a metal phoropter designed by The British Refracting Unit in 1904.
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This folding lorgnette, embellished with pearls, comes from the early-1900s in Central Europe.
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This 18th century folding spectacle is from China. Chinese scholars are often given credit for the development of lenses.
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This pair, designed by Pierre Cardin in the 1960s, is made solely of plastic.
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This 1960s prototype designed by Pierre Cardin has an asymmetric frame made of plastic.
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This is the first time Claude Samuel's extensive collection of eyewear has been presented in a museum.
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Overview, an exhibition that traces the design evolution of eyewear, is currently on show at Design Museum Holon until April 29, 2017.

Editor’s Note: Dylan Jones is the Editor-In-Chief of GQ and the Chairman of London Fashion Week Men’s

CNN  — 

In hindsight I suppose it was unsurprising and perhaps somewhat inevitable that it was Elton John who really taught me about eyeglasses.

About fifteen years ago I found myself at the house in Windsor that Elton shares with his long term partner David Furnish. I was there to supervise a cover session for British GQ, and having got Elton to agree to the shoot, along with an interview, I wanted to make sure everything ran smoothly.

Plus, of course, I was desperate to see their house. Now, to say that the house was exquisite would be an understatement, although what I really loved was being shown Elton’s wardrobe.

And along with the corridors of suits, the lines of shirts, the acres of shoes, and – frankly – the stationary pantechnicons of stage jewelry, what fascinated me most were the drawers and drawers of spectacles.

An ‘extraordinary’ collection of eyewear

Call them glasses, call them eyewear, call them what you will, but even then – having already divested himself of hundreds of pairs in various sales – Elton had a lot of them.

Spectacles he used for stagewear, for streetwear, and for wearing in makeshift photographic studies when being shot by illustrious Conde Nast men’s magazines…

D. Morrison/Hulton Archive/Getty Images
Elton John in 1974

In fact, having spent a good half an hour sifting through Elton’s extraordinary collection, a collection made up of everything from vintage pieces to Art Deco gems, via punk and glam right up to the modern day – I realized that the history of eyeglasses could be told through Elton’s career.

To analyze his visual appeal is to look at a cavalcade of glasses which have been as important to his success as conical bras, say, were to Madonna’s.

If you think of David Bowie, you think of Ziggy Stardust’s red mullet; if you think of Elvis you think of his white rhinestone jumpsuit.

And if you think of Elton you no doubt think of one of the many pairs of outrageous glasses he has worn since he became famous.

Evolution of spectacles

You can see glasses that Elton John might have worn in the current exhibition at the Design Museum Holon in Israel.

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Eyewear made of bone. Small slits help prevent snow blindness

The exhibition follows the development of eyeglasses from several different points of view: from the unique Claude Samuel Collection dating right back to the 17th century, to contemporary conceptual interpretations of eyeglasses by fifty Israeli designers highlighting the creative energy of the Israeli design scene. There is also a bit of virtual reality to bring things up to date.

Ariel Benmoshe (Jacob Peres Office)
Flannelette by Adi Zaffran Weisler

Unique pieces ranging from Elton John and John Lennon style eyeglasses to authentic Eskimo bone eyewear are shown alongside sketches of eyewear designs made by Claude’s father from the Pierre Cardin Fashion House. This show gives you a glimpse of what lies behind behind lens, so to speak.

Speaking as someone who has needed to wear glasses since the age of ten, I know how important eyewear is.

Ariel Benmoshe (Jacob Peres Office)
Trans.form by Ohad Benit

Not only does it act as a disguise, but it also has the innate ability to make you look smarter than you are, dumber than you are, or, if need be, to completely alter your personality.‎

Spectacles can make you look richer, they can make you look poorer, and in the case of Elton John, a man who has more experience in this area than anyone who has ever set foot in the eyewear section of a department store, can make you look like an international superstar.

Design Museum Holon
One of a kind by Yasmin Vinograd

Overview, an exhibition that traces the design evolution of eyewear, is currently on show at Design Museum Holon until April 29, 2017.