(CNN) With a growing number of Covid-19 vaccinations administered in the US, many Americans have reemerged into public spaces after over a year of isolation. CNN Opinion contributors share their experiences venturing out in this new "normal."
By David M. Perry
It's a warm Minnesota night in May 2021, and there's maybe thirty people on the patio when it's my turn to call the song. I play an E-minor then walk it up and around, hitting the low strings to create a bass line. My friend Ann comes in over the top on the fiddle. I start Five Days in May, a song by the Canadian cowboy rock band Blue Rodeo.
We're at Ann's house and it's her birthday. She met her husband John on a canoe trip one May long ago, so as far as I'm concerned the song has always been about them. By the time I hit the chorus, "Sometimes the world begins to set you up on your feet again," everyone on the patio is singing.
On March 13, 2020, I went to a friend's 60th birthday party and we all sang together, a little afraid of the coming pandemic, but still ignorant of the losses ahead of us. It was the last night of "normal." I finished by playing "Hold On," by Tom Waits, unaware of just how hard it would be to hold on over the coming year.
When I don't play music with other people for a while, a part of me goes missing, my mental health frays, the world drags slowly down toward gray and it's harder for me to locate joy. But singing, specifically singing, emerged as a risk factor for the spread of Covid, so except for a few moments in one bubble or another, making music together vanished from my life.
But on this day in May, 16 months after the world came to a screeching halt, we're all vaccinated. We can sing. My eyes fill with tears and my throat closes with emotion, but the chorus is done and I nod to Ann to take it away on her fiddle while I pull myself together, and all is just as it should be.
David M. Perry is a journalist and historian and co-author of "The Bright Ages: A New History of Medieval Europe." He is a senior academic adviser in the history department of the University of Minnesota. Follow him on Twitter.
By Judy Gold
For my entire adult life, I have spent most evenings standing on a bare stage telling jokes. It may sound crazy to those who have never stood in front of an audience and made people laugh on purpose, but getting a laugh, especially with a new bit, is beyond exhilarating.
I equate it with being an orchestral conductor. Conductors pore over the music, I write material; they study the time signatures, I make sure there is the correct number of syllables; they rehearse, I try out new material.
Then, finally, the seats are filled and we are standing in front of a mass of people, a baton raised or a mic gripped. Their upbeat is my setup, their downbeat, my punchline. Their music is my laughter.
It is a give and take, and when a comedian gives and the audience takes, it is truly awesome.
Fourteen months of hearing delayed laughter coming out of my computer speakers was like listening to The Vienna Philharmonic on a transistor radio. So, last month, I took the subway to my home -- The Comedy Cellar in New York City. I hugged my comrades, and when it was my turn, I grabbed a clean mic, stepped on stage, thanked the emcee, and looked out into the packed house. I told my first joke, and just like that, it was as if those months had melted away. Every instrument was perfectly tuned -- woodwinds, brass, strings, percussion -- not one missed note, all in perfect rhythm. They laughed out loud, and I cried with joy inside.
Judy Gold is a stand-up comic in New York, actress, writer and winner of two Emmy Awards. She is the host of the podcast "Kill Me Now," available on iTunes or at judygold.com/podcast. She is also the author of "Yes I Can Say That," from Dey Street Books. Follow her on Twitter @JewdyGold.
By Roxanne Jones
Dancing with my people. That's what I missed most during the quarantine. Sure, I'd listen to music at home and solo shimmy around my living room but it just was not the same.
I vowed that if the world ever opened back up, I'd dance more.
But when the world did start to open up, and my Brooklyn friend called me and asked me out to lunch about a month ago, I hesitated. Pandemic restrictions hadn't been fully lifted in New York and although I was vaccinated I didn't trust being around other people. Staying inside had kept me safe.
Reluctantly, I agreed to go to a sidewalk cafe, provided the tables were spaced out and the restaurant workers were all masked. We headed to a fun spot in Bedford-Stuyvesant called Besos. As we left the cafe, we heard music playing down the block and started following the crowd to see what was going on.
"There's a block party today," a neighbor told us.
That's all I needed to hear to erase my fears. I knew I needed to dance. In Brooklyn, especially in Black communities, block parties are a summer rite of passage. As we turned the corner, I saw hundreds of beautiful Black and brown people line dancing in the street, dressed in glorious colors, hands lifted to the heavens as they twirled and dipped in unison to songs like "Before I Let Go" by Frankie Beverly and Maze, a staple at any block party.
As I joined the crowd and got in sync, it felt as if the sun and the music were healing me, soothing the pain and loss I'd suffered over for the last year. I looked around and more than a few of us had tears in our eyes along with the smiles on our faces that even our masks couldn't hide. I've never felt such gratitude in a crowd.
That day in Bed-Stuy we danced till the sun went down, all of us grateful just to be alive.
Roxanne Jones, a founding editor of ESPN Magazine and former vice president at ESPN, has been a producer, reporter and editor at the New York Daily News and The Philadelphia Inquirer. Jones is co-author of "Say it Loud: An Illustrated History of the Black Athlete." She talks politics, sports and culture weekly on Philadelphia's 900AM WURD.
By Jeff Yang
I've never been much of a hugger. But during my recent first trip back to New York since the outbreak of the pandemic, I ecstatically hugged my mutually vaccinated friends just to feel the substance of human beings who weren't my family. These were people I've known for decades, and this was the first time we'd seen each other beyond the frame of a computer screen in nearly two years. We eagerly indulged in one another's three-dimensional warmth, in part to remind ourselves that doing so was something we should never take for granted again.
Meanwhile, in public, on the streets of Manhattan, I constantly wore my mask -- not to protect against disease, but as a means of camouflage. I reflexively stepped back when random people suddenly drew near. I stood as far away as possible from the edges of subway platforms and flinched from accidental contact whenever I was in crowds.
Years of separation had made me hungry for physical closeness with friends. But months of random violence against Asians, as seen on grainy phone videos posted to the internet, have made me wary of it from strangers.
Jeff Yang is a frequent contributor to CNN Opinion, a featured writer for Quartz and other publications, and the co-host of the podcast "They Call Us Bruce." He co-wrote Jackie Chan's bestselling autobiography, "I Am Jackie Chan," and is the editor of three graphic novels: "Secret Identities," "Shattered" and the forthcoming "New Frontiers."
By Natasha S. Alford
The last time I worked in my office pre-pandemic, I looked out 6th Avenue and thought to myself, "I'm so lucky to live in New York City."
The city was bustling and so was our newsroom at theGrio, a vibrant community of journalists. After being away for over a year, I went back to that same office for a meeting with some colleagues two weeks ago and felt like I was entering a strange time warp. The building hallways where we once laughed and dished on the news on the way to lunch were eerily empty, still. Blank walls had been covered with signs reminding people to social distance and to use the newly provided containers of hand sanitizer.
But as soon as I opened the door and entered our office space, the energy and joy of seeing my teammates in person after months apart injected life into what had seemed like a vacant building. Despite what anyone says, Slack is no substitute for in-person conversations and this reunion proved it.
Although we had to do elbow bumps and what now seems like a standard "I'm vaccinated!" before reaching out to hug someone, it was as if we were picking up where we left off. Of course, we know so much has happened since -- births (including my own baby!), moves, accomplishments, and sadly, lots of loss.
But being in a room with people who made work worth it -- knowing we were still here, standing strong and ready to, in a way, start again, was a special moment.
Natasha S. Alford, a CNN political analyst, is VP of Digital Content and a senior correspondent at theGrio. Follow her on Twitter or Instagram at @natashasalford.
By Neelam Bohra
I still remember the panic that fluttered through me the first time someone stepped onto my apartment elevator without a mask on. It was February, before vaccines were widely available where I live in Austin, Texas. I held my breath for 7 floors -- as if it would make a difference.
Now, it happens every day. I still hold my breath, squeeze into the corner as more people file into the elevator at each stop, and pray that every fully exposed face belongs to someone who is vaccinated. Sometimes they come in groups, talking and laughing. I know they don't see my entire body freeze up in fear.
Maybe it doesn't sound rational to you, but I won't dare take my mask off in public, not even when I'm on the sidewalk. As a kidney transplant recipient, I've been admitted to the hospital even for something as mild as a normal cold. Between new variants and uncertainty over the vaccine's effectiveness in immunocompromised people, the threat of Covid remains in full force for me.
And I don't have a real "normal" to return to.
I quarantined for a month after my kidney transplant surgery in 2019. I stocked up on hand sanitizer and wore a mask when I had to venture out. The caution people have practiced during the pandemic -- for those privileged enough to stay home -- is the same caution I've always needed to keep my kidney safe.
So, I'll be avoiding indoor dining, concerts and movies for a while. My mask will stay on in the elevator and all other public places until I trust the outside world again. And that may never happen.
Neelam Bohra is a rising senior at UT Austin and a national news desk intern for CNN Digital this summer.
By Ashish Prashar
Visiting Exodus Transitional Community -- an organization that provides services for adults and youth affected by the justice system -- in Harlem again, for the first time after being vaccinated, and seeing the faces of all the people, reminded me of how much I missed my community, one in which we understand each other's experience without saying a word. I forgot how everything here is centered around love, safety and meeting people's needs.
Returning also gave me hope that our future can radically depart from what exists now for people coming home from prison. I was reminded that it's on us to make that happen. We can create structures for formerly incarcerated people and communities across the United States that are predicated on restoration and healing instead of punishment -- structures where people's lives are respected and they are left in good health. And that begins with care.
While I was nervous because I hadn't been in a closed setting with that many people -- people who I had not met and people I wanted to feel safe around me -- I was undeterred, seeing Exodus' essential workers, and knowing the risks everyone had been facing during the pandemic. They welcomed home one beautiful soul after another throughout the pandemic (Exodus is often the first stop on their journey after incarceration), and the staff's bravery provided a safe space where returning citizens were loved and supported, and an environment where people could share their experiences.
The day I walked into Exodus I embraced the founder Julio Medina, my mentor. With every step I walked through the venue, the noise grew. I talked to volunteers and welcomed home people -- whom I call my sisters and brothers -- after incarceration. We came together and shared stories, food and coffee to help everyone keep going. A powerful sense of community ran through me; a reawakening sense of unity and purpose, which brought us all there to protect our fellow human beings.
No one is more hopeful than a person coming home from prison -- filled with a desire to make a better life -- and Exodus felt like the heartbeat of humanity. It is the sound of people fighting to live.
Ashish Prashar is the global chief marketing officer at R/GA, a marketing and advertising company that designs innovative brands and businesses, and a justice reform activist. He sits on the board of Exodus Transitional Community, Getting Out and Staying Out, Just Leadership, Leap Confronting Conflict and the Responsible Business Initiative for Justice. Follow him @Ash_Prashar.
By Mikki Kendall
This year was the first time we celebrated Father's Day without my father-in-law. The holiday came and went, and my husband declined to do much to mark it -- not because he is not happy to be a dad himself, but because he is still adjusting to life after losing his father to Covid-19.
Big Wayne was always present, always someone with opinions and advice, and life has been hard without him. This Father's Day was our first holiday in the "after" -- the new "normal" where you have grieved and will still grieve, but also realize that life is still going to go on. My husband was most comfortable having a quiet day and not talking about it, so that is what we did.
It is difficult to see the line between pandemic and post-pandemic in a way that can be easily expressed when in many ways the pandemic is still ongoing. There have been graduations and birthdays, there have also been funerals, some immediate, many long-delayed by the restrictions necessary for public health. We are coming out of a slow-motion natural disaster in a weird, adult version of that childhood game "Red Light, Green Light." We don't know when to stop and when to go.
This new normal appears to require a "two steps forward, one step back" approach. There are hard days still, even as we step into this new reality that is focused on the good days. But still, it is good to know that everything we learned in kindergarten is relevant eventually, including the rules about letting people be quiet on hard days so that they can enjoy the good ones.
Mikki Kendall is the author of "Hood Feminism: Notes from the Women That a Movement Forgot."
By Issac Bailey
The day after the US Centers for Disease Control and Prevention relaxed mask guidelines for fully vaccinated people, it hit me that the pandemic seemed to end suddenly in the minds of many. This realization came when I walked into a Walmart in Myrtle Beach, South Carolina, then a Dollar General, then a restaurant -- and in each place, I was one of a handful of people with something covering my face.
Mask-wearing hadn't been great in our area before the guidelines changed, but the overnight shift was a bit unnerving. Though I had been vaccinated for weeks by that point and had been wearing a mask out of courtesy and compliance with regulations by select stores, I felt naked when I took it off to fit in with the others.
I know that even today hundreds of people a day are still being killed by Covid-19 in the US, that most of the world's population has not been vaccinated and because of our relatively low vaccination rates in parts of South Carolina, a resurgence in the fall is a real possibility. But I knew the moment I read that the CDC said the vaccinated could ditch our masks in most places it would signal to even the unmasked that the worst had passed. I just didn't think I'd see it so quickly manifest itself in a local Walmart Supercenter just hours later, particularly knowing that so many people here didn't much care what the CDC had been saying before that moment. So many people are following the science selectively now -- about masks but not vaccinations. And I don't yet know how to feel about that.
Issac Bailey is a longtime journalist based in South Carolina and the Batten Professor for Communication Studies at Davidson College. He's the author of "My Brother Moochie: Regaining Dignity in the Face of Crime, Poverty and Racism in the American South." His latest book is "Why Didn't We Riot? A Black Man in Trumpland."
By Nancy Kaffer
T.S. Eliot got it backward -- the world ended with a bang, as our doors slammed shut last March, and reopened with a whimper, as normal life crept in this summer.
Normal, in my home, depends on who you are: my 10-year-old son, too young to be vaccinated, is still constrained by Covid-19 precautions, and has struggled with this year of online learning. His school stayed closed even as others around us reopened, a harmful decision I've yet to forgive. He hasn't been in a classroom since March 2020 -- his fourth grade year; he'll start middle school in person this fall. It's hard to think about.
I've been fully vaccinated since March, when the world still felt awfully dangerous, and none of us understood exactly what protections our inoculation would confer. My forays into regular life were cautious: Wednesday morning coffee indoors and without masks with a vaccinated friend, dinners out with my husband, drinks with my friend at a darling downtown bar, lunch with a friend who just started a new job, a trip to the garden store for daisies and forget-me-nots.
The strange part is how normal it felt. We got used to our secluded lives this past year. We've wondered if normal would ever feel normal again. I'm here to tell you: Yes. Normal feels blissfully unremarkable.
Michigan ended its mask mandate altogether this week. I met another friend for lunch Tuesday on the patio of a restaurant that still hasn't reopened for inside service. We'd eaten there a month before, walking masked to our table, giving our orders to a likewise masked waitress, wondering if we were doing something wrong. Tuesday, there wasn't a mask in sight, and under a perfectly blue summer sky, it was hard to remember that things had ever been different.
Nancy Kaffer is a columnist and member of the editorial board at the Detroit Free Press. Her work has appeared in the Free Press, Politico and the Daily Beast.
By Jay Parini
My friends and family joke about me being a "café guy." They know that, for more than 50 years, I've been in a groove that starts with heading to a café in the morning. The venue has changed over the years, as I've moved from town to town, even country to country, and favorite spots sometimes go out of business. But I never thought there would be a time when I didn't have "my" place. That was, until Covid hit.
All of a sudden, in March of last year, I was forced to stop going to my local Vermont café that looked out on a river and was my ideal place to write. Before the pandemic, I would feel hopeful just walking through the door. And had only to signal to the barista, who had become a friend, to say I'd arrived. She knew I'd be drinking an oat milk latte with half a teaspoon of sugar. I would sit at the same table, as creatures of habit do; I would look around at the familiar gallery of friends or acquaintances -- the faces rarely changed -- and I would nod warmly in their direction. I would settle in, writing in a notebook with a pencil or opening my laptop. (Poetry I write by hand, prose by laptop.) I often stayed for three solid hours, refreshing my drink at intervals.
The 14 months when it was closed were awkward for me. I tried to find alternate patterns, getting coffee at a local gas station, sitting under a tree near the café. It wasn't the same.
What relief I felt a few weeks ago when, with astonishment, I stepped through the door again, wearing a mask: Vermont is a place where masks die hard. The barista wore her mask, too; but we smiled through our disguises. She remembered my usual drink. My favorite table was empty, and the river seemed not to have noticed my absence. I opened my notebook and almost wept. This was joy: pure joy! The world was (almost) as it used to be.
Jay Parini, a poet and novelist, teaches at Middlebury College. His most recent book is "Borges and Me," a memoir of his travels in the highlands of Scotland with Argentine writer Jorge Luis Borges in 1971.
By Kara Alaimo
My two-year-old daughter has been home since her beloved Montessori school closed in March 2020. Her school sadly wasn't able to survive the pandemic, so she'll be starting a new one this summer, along with one of her friends from her old school. Because we have a newborn and both of our children are unvaccinated, my family hasn't been getting together with other people very much. But recently I invited our daughter's friend who will be going to the new school over for a play date to reacquaint the kids with one another. Since I won't be able to enter her new school due to ongoing pandemic restrictions, I thought it would be less jarring for my daughter if she could walk in with a friend on her first day.
The boy's family speaks Arabic at home, and because he's so young and has also been out of school for so long, he no longer speaks much English. But when he and my daughter were reunited, it didn't matter in the least. As soon as we parents stopped hovering, my daughter and her friend began communicating with one another in their own ways. They played on our swing set together happily and effortlessly despite their language differences.
It was a reminder that, though my husband and I have worried about what being isolated at home these past 15 months might do to our daughter's development, children are profoundly resilient. And while we're ecstatic to be able to expose her to more now that our community is reopening, there are also plenty of things about the world -- like the way grown-ups from different backgrounds often come to misunderstand and be divided from one another -- that I can't quarantine her from long enough.
Kara Alaimo, an associate professor of public relations at Hofstra University, is the author of "Pitch, Tweet, or Engage on the Street: How to Practice Global Public Relations and Strategic Communication." She was spokesperson for international affairs in the Treasury Department during the Obama administration. Follow her on Twitter @karaalaimo.
By James Moore
In April 2020, I tried to ride away from the pandemic.
I left Austin, Texas, and headed west of the Pecos River where there were fewer humans to spread disease. I thought the biggest county in Texas might be safe. Brewster County is larger than Delaware and Rhode Island combined. Surely, no virus would get traction in the great wide-open of 6,193 square miles. My conclusion proved to be wrong.
Inside a convenience store, my friend and I were the only ones wearing masks. A ranch hand had insisted that President Donald Trump said we didn't need to bother with face coverings.
"Yes, but I don't listen to him," my pal said.
There was a pause. "Maybe I'll just take that mask off you."
My rather imposing friend replied, "You can try that once. And see what happens."
The complainer, wisely, restrained himself, and our trip ended without incident or infection.
Months later, at the height of the pandemic, I returned. But when I dismounted my motorcycle and looked inside my favorite watering hole, there were no people. Chairs were upside down on the bar and tabletops. The virus was afoot. Not conversation.
This surprised me. The toughest of cowboys, it seemed, had become intimidated by the coronavirus.
I had forgotten such things when I went back to the same high desert town after vaccinations were administered. I parked my motorcycle at the train station and peered into the windows of my preferred establishment. People were close together and comfortable, animated. The scene was reassuring. It felt like normality was returning. I still wasn't certain that public socializing was a wise decision. But I tried to convince myself it was a sign the pandemic might be ending.
I hope it is.
James Moore is an author and communications consultant. He writes a weekly newsletter at Texas to the World.
By Annika Olson
I used to spend a lot of time in the library. (Nerdy, I know, but true.) Prior to the pandemic, I'd spend hours browsing books about old Hollywood actresses and chatting with John, a man who lived in a small tent outside the library. He'd tell me about the memoirs he liked to read and how living outside of the library wasn't so bad. The staff were kind, the patrons were friendly and he got to read as much as he liked. When Covid-19 shut things down, however, everything changed. No library, no studying the spines of every book, no chatting with John.
A few weeks ago, I went back to the library again for the first time. Walking in, I thought I might start crying (again, nerdy, but true.) It felt like coming home. Little kids were excitedly checking out books with their parents, folks sat studying at the computers and others lounged in comfy chairs reading magazines. It was like nothing had changed. The library had been closed for a year, but everyone was enjoying the space like it was an ordinary day. I walked over to the memoirs and ran my fingers over the cover of a book. Man, it was good to be back.
"Hello friend!" said a voice behind me. I looked around and saw John, beaming. "Want to hear about the memoir I'm reading?"
Annika Olson is the assistant director of policy research at the Institute for Urban Policy Research and Analysis at the University of Texas at Austin and a Public Voices Fellow of The OpEd Project.
By Raul A. Reyes
I almost didn't go to the movies that day, earlier this month. I wasn't in the best mood. I was thinking about my Aunt Emma, who passed from Covid-19 in January, and how much I missed her. But I decided on impulse that I would see "In The Heights," because I figured it would cheer me up. Plus, I hadn't been to a movie theater in over a year and a half.
In the lobby, it felt like a radical act to be surrounded by so many people in a closed space. I was momentarily self-conscious about being by myself, until I noticed that there were a lot of people there alone, all socially distanced for safety. And once the movie started, it didn't matter anyway.
Watching the film was like a dream; a world with no masks or vaccine worries (the movie was shot in 2019). For a few hours, I was engrossed in Lin-Manuel Miranda's story of life in a diverse Latino community. Many of the characters reminded me of my own family. And I strongly sensed my Aunt Emma's presence; we had seen "In The Heights" on Broadway together and she loved going to the movies. In some way, she was there with me in the theater.
When the movie ended, the audience burst into applause. I did too, realizing it had been a long time since I'd felt part of something joyous and communal. I was cheering, not only for the movie -- but for a return to normal life and for my aunt's memory as well.
Raul A. Reyes is an attorney and a member of the USA Today board of contributors. Follow him on Twitter @RaulAReyes.
By Sarah Lenti
Come back to elementary school with me for just a second. Remember the excitement of riding that big, bumblebee yellow school bus for the first time? So many choices: do you sit in the front near the friendly driver, somewhere safely in the middle or all the way back?
It was a milestone -- proof that you were growing up. Independence.
In our household, the anticipation and excitement for that first bus ride was all that my six-year-old twins could talk about in the lead up to "summer camp" (my fun way of saying summer school).
After a year of dropping my sons off at Covid-kindergarten -- where they were masked, sanitized and temperature checked several times a day -- they were psychologically prepared to do the same at camp. Only, they were riding the bus! Off we bounded to the bus stop on Monday. Water bottles, check. Backpacks, check. Laptops, check.
We could hear the rumbling of the bus in the distance and then it turned the corner and came right to us as scheduled. The boys were squealing. The door folded open and there was the bus driver, mask on and eyes smiling.
Suddenly, one of my sons shrieked, "Mom, where are our masks?" He looked at me with what can only be described as all-out panic. My heart dropped.
"We can't go without our masks, we can't!" they both exclaimed.
"Yes, you can, it's OK, it's OK," I began to coax. The bus driver chimed in, "she's right, it's OK."
Slowly, with tears, they inched toward the bus. They kept looking from me to the bus driver to the kids peeping out of the bus, some masked, some not. It was as if I had ripped off a Band-Aid. I hadn't thought to prep them for being maskless. They were scared -- and it was awful.
At that moment, I didn't know what they were afraid of: getting in trouble on their first day of "camp"; feeling insecure after 12 months of mask-wearing; or, worse, they were afraid of catching, and potentially dying, from Covid-19?
I wanted to run after the bus; but I knew in 6 short hours, I'd have them, wrapped back up, back in a hug, where we would begin to sort the fears out.
Sarah Lenti is a political strategist and policy adviser at SML Advisory Partners. She served as a director on the National Security Council under Condoleezza Rice and worked as a lead researcher for Mitt Romney's 2010 book, "No Apology: The Case for American Greatness."
By Fiana Garza Tulip
Before my mom died of Covid-19, she had plans to visit with us in Brooklyn to spend time with her 10-month-old granddaughter, Lua. My mom beamed over Lua's every move. With Covid cases on the rise, at my urging, she canceled her trip. Her heart was broken but I needed her to keep safe.
One month later, on July 4, we lost my mom to the very disease I had tried to protect her from. There wasn't a doubt in my mind that we needed to be there for her burial. I had to say goodbye to the woman who raised me, loved me and supported me through and through. Flying wasn't an option for us so we drove 40 hours from Brooklyn, New York, to Brownsville, Texas, with a baby in the car.
A few months later, my dad, too, caught Covid-19. I was in the same predicament. Due to the pandemic, I couldn't take care of him -- I couldn't even visit him.
He recovered at home but his Covid delirium seemed to accelerate the progression of his dementia. It was difficult to hear his mental health decline so rapidly over the phone but the phone was my only option.
In the meantime, I saw families gathering, going on vacation, hugging their loved ones. I questioned myself all the time: Was I doing the right thing by not seeing my dad or family?
Two weeks after my husband and I received our Johnson & Johnson vaccines, we decided to make the trip to Texas to get a close-up of my dad's health. Driving seemed daunting and expensive, so we made the decision to fly. I felt guilty, uneasy and like I was putting my daughter and family in danger. But all signs pointed to "safe." So, we bought plane tickets.
While on the flight, I was nervous to touch anything. I looked around at people with double masks and kicked myself for not doing that. I wiped everything down with sanitizer -- something I used to make fun of a friend for doing. I looked around and wondered if anyone else around me was dealing with the type of trauma I was dealing with. I wondered if anyone could see how uncomfortable I was and was rolling their eyes.
Normal can't be forced on me. It's not a place I can ever go back to because my mom won't be waiting for me on the other side.
It was at that moment, on a plane, that I knew the rest of the world was going to move on and I was going to be left behind.
Fiana Garza Tulip is a PR/marketing/sales professional who has represented a number of Fortune 500 companies in her 20+ year career. A Texas native based in Brooklyn, she received degrees from UT Austin and the Parsons School of Design.